Coleman Spilde

Email: coleman.spilde@salon.com

Twitter: @colemanjspilde

Coleman Spilde is a senior staff culture writer and critic at Salon, specializing in film, television and music. He was previously a staff critic at The Daily Beast, and in addition to Salon, his work has appeared in Vulture, Slate, and his newsletter Top Shelf, Low Brow. He can be found at the movies.

With "The Phoenician Scheme," Wes Anderson perfects his product to cold, shiny results Coleman Spilde

In "Bring Her Back," Danny and Michael Philippou work through the horror of loving too much Coleman Spilde

Tom Cruise’s real “Mission: Impossible”: Save the movies, save the world Coleman Spilde

Various old television sets playing modern shows and movies

There's more film and television for you to watch than ever before — good luck finding it Coleman Spilde

15 years later, "Scary Island" still sets the standard for "Housewives" chaos Coleman Spilde

"Hurry Up Tomorrow" is The Weeknd's egomaniacal cinematic disaster Coleman Spilde

In "Overcompensating," millennial memory is made meaningful Coleman Spilde

Trump’s latest tariff agenda: Make movies crap again Coleman Spilde

"Friendship" shouldn't be this stressful Coleman Spilde

What "Barbarian" gets right about terrifying moms and twisted love Coleman Spilde

The cultural significance of the Met Gala can't be dismissed Coleman Spilde

In "Bravo's Love Hotel," Real Housewives own up to everything in the name of romance Coleman Spilde

A beloved "Twin Peaks" resident gets her due Coleman Spilde

Blake Lively’s latest crime against humanity? Having the most fun of her career Coleman Spilde

In "Bonjour Tristesse," Chloë Sevigny and Lily McInerny try to capture beauty before it slips away Coleman Spilde

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